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Bora Ćosić: The Tutors

Winner of the Prize of the Leipzig Book Fair 2016, category translation

Bora Ćosić
The Tutors

fiction

792pp (246,700 words)

A European masterpiece appears in German for the first time, a pyrotechnic display of puns, stylistic diversity, linguistic invention and exuberant comedy.

What Joyce’s Ulysses is for Ireland, DIE TUTOREN is for Serbia: an avant-garde, almost untranslatable masterpiece full of wordplay and stylistic diversity, an experimental laboratory of language – and incredibly funny to boot!

At the centre of it all is a family saga set in Slavonia, which is told in a variety of different ways, whether through a pub brawl, a lexicon or a conversation in a bookshop. The narrator, a passionate collector of curious phenomena, has a particular fondness for everyday things. Bora Ćosić, who was banned from publishing his work during the writing of DIE TUTOREN, marshals all his powers, ridiculing nationalistic myths and ideologies of all stripes. From a rebellious orthodox priest in the nineteenth century to energetic, entrepreneurial women to a nameless author, he traces an arc spanning more than 150 years of European history.

»Fantastic!«
Clemens Meyer

Rights sold

paperback – Random House/btb

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Reviews

»If ideologies crumble, language goes wild. With her exuberant wordplay Brigitte Döbert models a compendium of Balkan follies.«
Prize of the Leipzig Book Fair, The Jury

»Bora Ćosić's DIE TUTOREN is Balkan avant-garde and a novel about the essence of language in itself (...). In his ludicrous book the Serbian writer undermines the paternalism of language.«
Prize of the Leipzig Book Fair, Laudatory Speech

»What a book: Ingenious, sublime, unreadable. (...) A book like a frenzy, and an exercise in loneliness: Reckless and almost delirious. It comes from a long gone part of history, when the process of writing and continuing to write possessed an existential quality. (...) The diversity of voices, the coexistence of peoples and cultures (...) marks out DIE TUTOREN as a great European novel.«
Süddeutsche Zeitung

»A highlight of European linguistic artistry. (...) A fulminant text with cryptic humor that is not in the least outdated.«
Frankfurter Allgemeine Zeitung

»This opus belongs to the classics of the 20th century (...). A polymorphic and polyphonic adventure novel and one of the most difficult but most daring European novels of our times. One sheer orgy of language, shriekingly funny, brimming over with literary allusions, historical travesties and lingustic parodies. It is crude, vulgar, sarcastic, witty, anarchic, unbridled, fast-paced and discursive at the same time, a docile derisive chant – a work so incomparable it can only be measured by its own standards.«
Neue Zürcher Zeitung

»On either well structured or wildly mixed word fields lie - blazing, enchanting and upsetting - the polyphonous masses of words that speak of lost kingdoms and the Titoist federation that was still in existence when this great and completely outstanding novel was first published in 1978. (...) Bora Ćosić has added a smooth vivacity to the genres of the novel and the family chronicle, or rather the parody thereof, by using the means of experimental literature.«
Literarische Welt

»A masterwork, a stroke of genius, a piece of world literature (...) Bouvard et Pécuchet and JR belong to world literature - and also DIE TUTOREN play in this league. (...) the author and his translator have accomplished something enormous. (...) Even if it's impossible to read it, one feels richer knowing that DIE TUTOREN exist.«
NZZ am Sonntag

»DIE TUTOREN is a cornucopia revealing the emptiness of the world with abundance. (...) A vast historical collection of curiosities and a big monument to the literary modern age with all its finesses.«
Deutschlandradio Kultur

»A great work of European literature. (...) How DIE TUTOREN fell into the reputation of untranslatability quickly becomes clear in this immensely polyphonic text that incessantly changes perspectives as well as stylistic devices. Allusions, enumerations, phrases, slang, advertising and technical language are wildly mixed, always animated by subtle humor.«
Der Tagesspiegel

»No matter what form it takes, the language is overflowing. It is violent, it mows down everything, it annoys. The novel tells of how language is empty, and how funny and how sad that is - and how much damage language can do as an instrument of power or as a translator of emotions. (...) A social portrait of the century.«
tageszeitung

»When you open this book, don’t expect your usual pleasant diversion, significant insights, beautiful language and, even less, meaning. Bora Ćosić’s DIE TUTOREN is a wild jabber of cliché, gossip and nonsense of all sorts, it is, as the author puts it, a “chronicle of insignificant events”. This novel is no less than one of modernism’s last great attempts to radically expand the discursive horizon of art.«
Österreichischer Rundfunk

»This is a colossal book. (...) Ćosić has written a subversive novel against the respectable citizens’ quite normal obsession with tidyness. Those who understand the joke won’t stop shaking their head and laughing with recognition.«
Westdeutscher Rundfunk

»Ćosić has made a name for himself as the James Joyce from the Balkans. One thing he certainly has in common with the Irish grand master of modernity: a distinctive linguistic virtuosity.«
ORF matinee

»Bora Ćosić is an anarchist undermining the seriousness of literature.«
Bayerischer Rundfunk (Bayern 2)

»Bora Ćosić’s monumental Serbian novel poses a great challenge to the reader – which makes it no less wonderful. (...) With virtuosity and consistency, Bora Ćosić turns the worn out side of language to the surface, making huge parts of the novel a whirlwind ride for the reader.«
Cicero

»…a marvel of European novel writing.«
BuchMarkt

»It was an extraordinary achievement to make this piece of world literature available.«
Burkhard Müller, Deutschlandradio Kultur

»Unmistakably avant-garde, but in no way impossible to read, instead highly amusing and even apparently conventional (…) The way Cosic criticises the language of power is very entertaining.«
Stuttgarter Zeitung

»Bora Ćosić’s family saga DIE TUTOREN is an insane verbal excess, insanely humorous, insanely allusive, insanely extensive. A magnum opus in every sense. (...) For a long time, DIE TUTOREN has been praised and considered untranslatable due to its excessive use of references, parodies and malapropisms. Eventually, Brigitte Döbert has rendered this major novel in the course two years of work and is now finally presenting it. A modern classic is about to be discovered.«
Deutschlandradio Kultur

»Bora Ćosić is without a doubt one of the great East European authors. (…) A polyphonic opus with a powerful language that came to be a cult book in Jugoslavia because its author is celebrating a verbal festival on every page and doesn’t leave it at worshipping the past like Marcel Proust. (…) A festival of language with fireworks of styles.«
intellectures

»But: Fear not! The fruits of reading are so diverse, so remote, so refreshing for mind and heart, that the triviality-laden novel racks at airports and train stations will collapse in a heartbeat, as soon as they sense the energy of this book.«
Der Falter

»It's a trickily narrated book, the style levels constantly changing between nursery rhyme, philosophical digression, pub gossip, consultation and obscure allusions. Untranslatable! This label stuck on the novel by Serbian author Bora Cosic – until Brigitte Döbert proved the opposite.«
Sächsische Zeitung

»By means of a remarkable linguistic inventiveness, Ćosić achieves polyphony as well as ambiguity and complexity of travesty in his work. But eventually all this results in a family chronicle that makes visible the tragedy of banal everyday life and populist slogans.«
Politika, 1978

More titles by Bora Ćosić

Bora Ćosić: A Brief Childhood in AgramBora Ćosić: Long Shadows in Berlin